“Revenge”
by Letitia Elizabeth Landon reflects the transition from unconditional love to forgotten
love. The first two stanzas of the poem drown in sentimental tropes. This is
especially apparent in the second stanza, “And swear your heart is as a shrine, /
That only owns her sway.” There is no other room in the person’s heart than for
his beloved. Additionally, it reiterates the total love begun in the first
stanza. The phrase “gaze upon her” is repeated twice in the two opening lines
which alludes to one set of eyes doting upon another. The first stanza
continues, “Seem as you drank the very air / Her breath perfumed the while.”
The imagery presented insinuates a romantic attitude where lovers are
physically consuming one another. The love of the first two stanzas is physical
and complete.
Furthermore,
in the first two stanzas of the poem the narrator is speaking to a person
outside of the poem. At the third stanza it becomes evident that the previous
two stanzas were retrospectively spoken. The third stanza introduce a complete
180 in its sentimental feelings. The poem from here on presents a vengeful
tone. The speaker says, “’Tis well I am revenged at last” meaning that the
speaker finally understands and has condolence for all the bitter tears they
wept for lost love.
The
speaker has spent countless amounts of time pondering the list love and hoping
for its redemption. This is clear from phrases such as, “The racking doubts,
the burning fears…by the nights pass’d in sleepless care / The days of endless
woe.” Still, what exactly has avenged all of these torments for the speaker?
The answer comes at the seventh stanza, “this is fitting punishment / To live
and love in vain— / Oh my wrung heart, be thou content, / And feed upon his
pain.” The speaker understands the punishment as if they have also lived and
loved in vain. But the best part of all is to see this outside person suffer
and from what the speaker has felt before. In the next stanza the speaker
further explains the lack of affection the outside person is receiving as they
dote elsewhere. This unrequited love is just the revenge that the speaker
sought.
The
last two lines of the last stanza writes, “Ev’n I could almost pity feel, / For
thou art nor beloved.” At first the use of nor appeared out of place and
incorrect. However, understanding the poem in its parts—lost love, pain felt
over that lost love, and then retribution—the ending makes perfect sense. The outside
person is “nor beloved” in relation to the speaker. Neither of them have the
love then seek. The speaker thus attains satisfaction and revenge from seeing
her lost love suffer from the same pain.
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